Documentary Objectives

Regular price €46.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Rachel Gabara
Author_Rachel Gabara
Category=ATFA
Category=ATFR
Category=NHH
Central Africa
cultural production
disapora
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
Francophone studies
French West Africa
independent African cinema
nonfiction film
postcolonialism
propaganda
sub-Saharan Africa

Product details

  • ISBN 9780253074805
  • Dimensions: 152 x 229mm
  • Publication Date: 03 Feb 2026
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

For over a century, filmmakers have been shooting documentaries in West and Central Africa, a region that included the colonies of French West and Equatorial Africa and now encompasses fourteen nations and nearly 200 million people. Documentary Objectives offers a rich history of these films, until now largely ignored by scholars. Author Rachel Gabara shows the crucial role they played in the development of both European and African cinemas, arguing that their recovery as a nonfiction tradition transforms our understanding of documentary itself.

Gabara's book traces fifty years of French colonial documentary in sub-Saharan Africa – propaganda-infused travel, hunting, expedition, and ethnographic films. After independence, African directors reclaimed their cinematic image by challenging outsider claims to authenticity and developing new models for nonfiction. Gabara highlights the nearly forgotten innovations of early decades and analyzes recent works that have attracted a wider audience on the continent and internationally. In a complex network of images and languages and across a dynamic range of styles, African documentarists have remade a global art form rooted in oppression, exoticization, and a simplistic conception of filmic realism.

By recounting a history of nonfiction film in which Europe and Africa were inextricably linked, Documentary Objectives brings together traditions that have been both marginalized and kept apart, charting new ground in the disciplines of Film Studies, African Studies, and French and Francophone Studies.

Rachel Gabara is the Nancy Gillespie Brinning Professor in French at the University of Georgia. She is author of From Split to Screened Selves: French and Francophone Autobiography in the Third Person.

More from this author