Documenting Taiwan on Film

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Category=ATFR
Category=GTM
Category=JBCT
Category=NH
Colonial Taiwan
dance
Dance Age
documentary
Documentary Ethics
Documentary Filmmakers
Documentary Filmmaking
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
February 28 Incident
filmmaker
filmmaking
films
Fourth Nuclear Power Plant
historical
Historical Documentary
Historical Documentary Series
identity
Martial Law Era
Modern Families
Nationalist Regime
nichols
Nuclear Power
People's History
People’s History
Rural Taiwan
SBL
Taiwan Cinema
Taiwan Documentary
taiwanese
Taiwanese Documentary
Taiwanese Farmers
Viva Tonal
White Terror
White Terror Era
Yamagata International Documentary Film Festival
Young Men

Product details

  • ISBN 9780415736862
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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To date, there is but a handful of articles on documentary films from Taiwan. This volume seeks to remedy the paucity in this area of research and conduct a systematic analysis of the genre. Each contributor to the volume investigates the various aspects of documentary by focusing on one or two specific films that document social, political and cultural changes in recent Taiwanese history. Since the lifting of martial law, documentary has witnessed a revival in Taiwan, with increasing numbers of young, independent filmmakers covering a wide range of subject matter, in contrast to fiction films, which have been in steady decline in their appeal to local, Taiwanese viewers. These documentaries capture images of Taiwan in its transformation from an agricultural island to a capitalist economy in the global market, as well as from an authoritarian system to democracy. What make these documentaries a unique subject of academic inquiry lies not only in their exploration of local Taiwanese issues but, more importantly, in the contribution they make to the field of non-fiction film studies. As the former third-world countries and Soviet bloc begin to re-examine their past and document social changes on film, the case of Taiwan will undoubtedly become a valuable source of comparison and inspiration. These Taiwanese documentaries introduce a new, Asian perspective to the wealth of Anglo-American scholarship with the potential to serve as exemplar for countries undergoing similar political and social transformations.

Documenting Taiwan on Film is essential reading for all those interested in Taiwan Studies, film studies and Asian cinema.

Sylvia Li-chun Lin is Associate Professor of Chinese in the Department of East Asian Languages and Cultures at the University of Notre Dame, USA. Tze-lan D. Sang is Associate Professor of Chinese at the University of Oregon, USA.