Doing Women's Film History
Regular price
€26.50
A16=Jane M Gaines
A16=Monica Dall'asta
A32=Canan Balan
A32=Cécile Chich
A32=Eylem Atakav
A32=Karina Aveyard
A32=Kay Armatage
A32=Monica Dall'asta
absence and hidden or unrecognised presence
Age Group_Uncategorized
Age Group_Uncategorized
and Kimberly Tomadjoglou
assistant producer
automatic-update
B01=Christine Gledhill
B01=Julia Knight
Canan Balan
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=JBSF1
Category=JFSJ1
Cecile Chich
Christine Gledhill
collaboration
collaborations between past filmmakers and present audiencesresearchers
constellating with the past
COP=United States
Debashree Mukherjee
Delivery_Delivery within 10-20 working days
distribution
distributor
documentary
documents
Eliza Anna Delveroudi
Elizabeth Ramirez Soto
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exhibition
experimental
Eylem Atakav
female avant-garde filmmakers
feminism
feminist approaches to film history
filmmaking
finding and using research sources
Giuliana Muscio
global
HD producer
international
invisible roles
Jane M. Gaines
journalism
Julia Knight
Karina Aveyard
Katarzyna Paszkiewicz
Kay Armatage
Language_English
Luke McKernan
mainstream fiction
memory
Michele Leigh
Monica Dall'Asta
Neepa Majumdar
PA=Available
piecing together clues
practices-
Price_€20 to €50
PS=Active
publicity
Rashmi Sawhney
Sarah Street
scriptwriting
softlaunch
the past
women as audiences
women as collaborators
women film pioneers
women in the film industry
women's film historiography
women's film history
women's work in different national film industries
Product details
- ISBN 9780252081187
- Weight: 481g
- Dimensions: 152 x 229mm
- Publication Date: 03 Sep 2015
- Publisher: University of Illinois Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film History ventures into topics in the United States and Europe while also moving beyond to explore the influence of women on the cinemas of India, Chile, Turkey, Russia, and Australia. Contributors grapple with historiographic questions that cover film history from the pioneering era to the present day. Yet the writers also address the very mission of practicing scholarship. Essays explore essential issues like identifying women's participation in their cinema cultures, locating previously unconsidered sources of evidence, developing methodologies and analytical concepts to reveal the impact of gender on film production, distribution and reception, and reframing film history to accommodate new questions and approaches. Contributors include: Kay Armatage, Eylem Atakav, Karina Aveyard, Canan Balan, Cécile Chich, Monica Dall'Asta, Eliza Anna Delveroudi, Jane M. Gaines, Christine Gledhill, Julia Knight, Neepa Majumdar, Michele Leigh, Luke McKernan, Debashree Mukherjee, Giuliana Muscio, Katarzyna Paszkiewicz, Rashmi Sawhney, Elizabeth Ramirez Soto, Sarah Street, and Kimberly Tomadjoglou.
Christine Gledhill is Visiting Professor in Cinema Studies at the University of Sunderland, editor of Gender meets Genre in Postwar CinemasI, and co-founder with Julia Knight of the Women’s Film & Television History Network-UK/Ireland. Julia Knight is Professor of Moving Image and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. She is the co-author of Researching Audiences: Distribution and Promotion of Alternative Moving Image.
