Domestic Interior and the Self in Contemporary Photography

Regular price €198.40
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Jane Simon
Anna Fox
art history
art photography analysis
artists
Asia
Author_Jane Simon
autobiographical
autobiographical narrative
Biscuit Cutter
Calendar Pages
Campaner's Photographs
Campaner’s Photographs
Category=AF
Category=AGA
Category=AJ
Catherine Opie
contemporary
contemporary domestic photography theory
Contemporary Photographic Art
Courtesy Pace Gallery
Critical Proximity
criticism
Dayanita Singh
Diaristic Modes
Domestic Interior
Domestic Objects
Domestic Spaces
Domestic Time
Elina Brotherus
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Father's Words
Father’s Words
Handheld
home
interiority
Mother's Cupboards
Mother’s Cupboards
Moyra Davey
News Reporters
North America
Opie's Photographs
Opie’s Photographs
Pepper Shakers
Philip Lorca diCorcia
Photographic Art
photography
Pigment Ink Print
private
private space exploration
public
relational aesthetics
Rinko
Rinko Kawauchi
Road Trip
self-representation
selfhood
still life representation
Table Top
theory
Vice Versa
visual culture studies

Product details

  • ISBN 9780367543402
  • Weight: 470g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Sep 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

By carefully conceptualising the domestic in relation to the self and the photographic, this book offers a unique contribution to both photography theory and criticism, and life-narrative studies. Jane Simon brings together two critical practices into a new conversation, arguing that artists who harness domestic photography can advance a more expansive understanding of the autobiographical.

Exploring the idea that self-representation need not equate to self-portraiture or involve the human form, artists from around the globe are examined, including Rinko Kawauchi, Catherine Opie, Dayanita Singh, Moyra Davey, and Elina Brotherus, who maintain a personal gaze at domestic detail. By treating the representation of interiors, domestic objects, and the very practice of photographic seeing and framing as autobiographical gestures, this book reframes the relationship between interiors and exteriors, public and private, and insists on the importance of domestic interiors to understandings of the self and photography.

The book will be of interest to scholars working in photographic history and theory, art history, and visual studies.

Jane Simon is a senior lecturer in photography and film at Macquarie University, Australia.

More from this author