Domesticity and Consumer Culture in Iran

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A01=Pamela Karimi
Anglo-Persian Oil Company
Author_Pamela Karimi
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courtyard
Courtyard House
Dish Rack
domestic architecture history
early
Early Pahlavi Period
Entertaining Area
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eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Family Living Area
gender roles Iran
Home Economics Department
house
iranian
Iranian modernisation
Late Pahlavi Era
Late Qajar Period
Marble Palace
material culture studies
media and visual culture Iran
Nader Ardalan
Nasir Al Din Shah
National Library
pahlavi
Pahlavi Era
period
Point Iv
Point Iv Program
private sphere transformation case studies
religious influence housing
Residential High Rises
reza
Reza Shah
Reza Shah's Reign
shah
Shah Square
traditional
Traditional Courtyard House
Truman's Point Iv Program
Vice Versa
women
Younger Men

Product details

  • ISBN 9780815360957
  • Weight: 520g
  • Dimensions: 156 x 234mm
  • Publication Date: 08 Dec 2017
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Paperback
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Examining Iran’s recent history through the double lens of domesticity and consumer culture, Domesticity and Consumer Culture in Iran demonstrates that a significant component of the modernization process in Iran advanced beyond political and public spheres.

On the cusp of Iran’s entry into modernity, the rules and tenets that had traditionally defined the Iranian home began to vanish and the influx of new household goods gradually led to the substantial physical expansion of the domestic milieu. Subsequently, architects, designers, and commercial advertisers shifted their attention from commercial and public architecture to the new home and its contents. Domesticity and consumer culture also became topics of interest among politicians, Shiite religious scholars, and the Left, who communicated their respective views via the popular media and numerous other means. In the interim, ordinary Iranian families, who were capable of selectively appropriating aspects of their immediate surroundings, demonstrated their resistance toward the officially sanctioned transformations. Through analyzing a series of case studies that elucidate such phenomena and appraising a wide range of objects and archival documents—from furnishings, appliances, architectural blueprints, and maps to photographs, films, TV series, novels, artworks, scrapbooks, work-logs, personal letters and reports—this book highlights the significance of private life in social, economic, and political contexts of modern Iran.

Tackling the subject of home from a variety of perspectives, Domesticity and Consumer Culture in Iran thus shows the interplay between local aspirations, foreign influences, gender roles, consumer culture and women’s education as they intersect with taste, fashion, domestic architecture and interior design.

Pamela Karimi is Assistant Professor of Art History at the University of Massachusetts, Dartmouth. She received her PhD in history and theory of art and architecture from MIT in 2009. Her primary field of research is art, architecture, and visual culture of the modern Middle East.

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