Don DeLillo and the Visual

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A01=Brian Jarvis
Author_Brian Jarvis
body artist
Brian Jarvis
Category=AB
Category=DSBH
Category=JHM
cinemea
Don DeLillo
ekphrasis analysis
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
eq_society-politics
Film
literature
Merleau-Ponty theory
phenomenology of perception
screen media theory
television
Visual
visual culture studies
visuality in contemporary fiction
Walter Benjamin optics

Product details

  • ISBN 9781032345246
  • Weight: 620g
  • Dimensions: 152 x 229mm
  • Publication Date: 28 Jan 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Over the course of a prodigious literary career which now spans seven decades, DeLillo has engaged with the problem and the promise of vision. Don DeLillo and the Visual offers a fresh perspective on the lead writer for the Age of the Image. Whilst the author is sometimes characterised and even caricatured as a ‘novelist of ideas’, this study makes a case for DeLillo as a ‘body artist’ with a particular fascination for the varieties of visual experience. DeLillo’s work dramatises diverse ways of seeing: the eye of the artist, the scientific stare, the consumer leer, the plagiarised perception of the tourist, the athlete’s field of sight and the seer’s sacred vision. Framed by the phenomenology of Merleau-Ponty and the dialectical optic of Walter Benjamin, a series of close readings consider the visuality of writing itself, light and colour, the screen cultures of cinema, television (TV) and computer and the ekphrastic depiction of painting and photography.

Brian Jarvis is a senior lecturer at Loughborough University. He has published widely on American literature and film.

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