Don’t Think, Dear

Regular price €17.50
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Alice Robb
Age Group_Uncategorized
Age Group_Uncategorized
Author_Alice Robb
automatic-update
balanchine
ballet abuse
black swan
bloch
Bolshoi
capezio
Category1=Non-Fiction
Category=ASDL
Category=ATQL
Category=BM
Category=DN
Category=DNC
Category=JBSF11
Category=JFFK
COP=United Kingdom
Darcey Bussell
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
francesca hayward
freeds
Georgina Pazcoguin
giselle
grishko
isabella boylston
kathryn morgan
Language_English
margot fonteyn
maria khoreva
marianela nunez
mariinsky
Michaela DePrince
misty copeland
natalia osipova
New York City Ballet
nutcracker
NYCB
olga smirnova
PA=Available
Price_€10 to €20
PS=Active
red shoes
Royal Ballet
sergei polunin
softlaunch
Svetlana Zakharova
swan lake
tchaikovsky
tiny pretty things
vaganova

Product details

  • ISBN 9780861547333
  • Dimensions: 129 x 198mm
  • Publication Date: 01 Feb 2024
  • Publisher: Oneworld Publications
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

Can ballet ever be reconciled with feminist ideals?

'Beautiful, difficult, and compelling.' VANITY FAIR

'Don’t think, dear,' said Balanchine. 'Just do.'

For centuries, being a ballerina has been synonymous with being beautiful, thin, obedient and feminine. It is the crucible of womanhood, together with the harassment, physical abuse and eating disorders endemic at top schools. Can we abide this in a post #MeToo world?

Weaving together her own time at America’s most elite ballet school with the lives of renowned ballerinas throughout history, Alice Robb interrogates what it means to perform ballet today. She confronts the all-consuming nature of the form: the obsessive and dangerous practices to perfect the body, the embrace of submission and the idealisation of suffering.

Yet ballet also gifts its dancers ‘brains in their toes’, a way to fully inhabit their bodies and a sanctuary of control away from the pressures of the outside world. Perhaps it is time to reimagine its liberating potential.

***

'Part memoir, part journalistic investigation, the book weaves [Robb’s] early experiences as a dancer with those of her contemporaries, and of famous ballerinas… Don’t Think, Dear is powered by a fundamental love of the art form while exposing the toxic culture that runs through it.' GUARDIAN

'[Robb’s] timely book is a critical yet personal examination of classical ballet – a performing art highly dependent on the talent of women – filtered through the lens of 21st-century feminism… she brings a welcome academic rigour to a subject clearly born of deeply held emotions.' THE TIMES

'A study of an obsession remarkable for its nuance and insight… It might be easy… to assume that Don’t Think, Dear is Robb’s litany of grievances about a demanding art form in which she failed to flourish. Rather, it is a book about love, even if that love is ultimately unrequited… fascinating.' TLS

Alice Robb has written for Vanity FairThe Washington PostThe Atlantic and The New Republic, among other publications. Her first book, Why We Dream was recommended by The New Yorker, The New York Times, TodayVogueTIME and The Guardian, and has been translated into seventeen languages.

More from this author