Dorothy Wordsworth's Ecology

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A01=Kenneth Cervelli
abbey
Alfoxden Journal
Author_Kenneth Cervelli
British women writers
Category=DSBF
cottage
De Quincean
description
Dorothy's Description
Dorothy's Journals
Dorothy's Life
dorothys
dove
Dove Cottage
Ecolo Gist
Ecological Literary Criticism
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
feminist literary criticism
Formal Rearrangement
gender and ecology
Gowbarrow Park
grasmere
Grasmere Journals
Highland Girls
Humble Habitation
journals
Loch Katrine
Loch Lomond
nature writing analysis
Negative Accruement
Outer Door
poem
Positive Articulation
Romantic Death
Romantic era ecocritical studies
Romantic period literature
Sarah Green
tintern
Town End
William's Poem
williams
Word Sworth
Young Man

Product details

  • ISBN 9780415980371
  • Weight: 400g
  • Dimensions: 152 x 229mm
  • Publication Date: 27 Feb 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Dorothy Wordsworth has a unique place in literary studies. Notoriously self-effacing, she assiduously eschewed publication, yet in her lifetime, her journals inspired William to write some of his best-known poems. Memorably depicting daily life in a particular environment (most famously, Grasmere), these journals have proven especially useful for readers wanting a more intimate glimpse of arguably the most important poet of the Romantic period.

With the rise of women’s studies in the 1980s, however, came a shift in critical perspective. Scholars such as Margaret Homans and Susan Levin revaluated Dorothy’s work on its own terms, as well as in relation to other female writers of the eighteenth and nineteenth centuries. Part of a larger shift in the academy, feminist-oriented analyses of Dorothy’s writings take their place alongside other critical approaches emerging in the 1980s and into the next decade.

One such approach, ecocriticism, closely parallels Dorothy’s changing critical fortunes in the mid-to-late 1980s. Curiously, however, the major ecocritical investigations of the Romantic period all but ignore Dorothy’s work while at the same time emphasizing the relationship between ecocriticism and feminism. The present study situates Dorothy in an ongoing ecocritical dialogue through an analysis of her prose and poetry in relation to the environments that inspired it.

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