Double Exposures

Regular price €52.99
A01=Mieke Bal
act
agent
american
Amor Vincit Omnia
analysis
Andries Pels
Animal Kingdom
Author_Mieke Bal
Black Woman's Face
Caravaggio's Amor
Caravaggio's Medusa
Category=AB
Category=AGA
Category=GLZ
Category=JBCC
Category=JHMC
Clark's Text
Commemorative Function
constative
Constative Speech Act
cultural
cultural analysis methodology
discourse
DOUBLE EXPOSURES
Durative Occupation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnographic Museum
expository
Expository Agent
Expository Discourse
Fabian's Case
feminist art theory
Frida Kahlo
Hottentot Female
Introductory Panel
Knowledge Acquisition
Lucrece's Rape
Museum Boymans
Museum Boymans Van Beuningen
museum display critique
narrative interpretation
Rembrandt Research Project
representation in art history
semiotic analysis
speech
Victorine Meurent
visual culture studies
writing
Younger Men

Product details

  • ISBN 9780415917049
  • Weight: 589g
  • Dimensions: 152 x 229mm
  • Publication Date: 04 Jun 1996
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so?
Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.