Double Lyric

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20th century english poetry
A01=Merle E. Brown
Author_Merle E. Brown
British poetic criticism
Category=DC
Category=DSA
Category=DSBH
Category=DSC
contemporary English poetry analysis
dramatic voice in verse
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
F. R. Leavis criticism
F.R. Leavis
ideological conflict poetry
literary criticism
lyric form analysis
Philip Larkin
postwar literature studies

Product details

  • ISBN 9781041069195
  • Weight: 630g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Originally published posthumously in 1980, this book centres on 5 British poets – Geoffrey Hill, Philip Larkin, Jon Silkin, Thom Gunn and Charles Tomlinson – and on the emergence in postwar British poetry of ‘double-lyrics’, poems which have, according to the author ‘become two persons, two ways of expressing and attending critically in dramatic divisive conflict.’ The nature and significance of the double lyric is first demonstrated by close readings of Silkin’s Defence, Tomlinson’s Prometheus and Hill’s In Piam Memoriam. Further chapters focus on the impressive poems which have arisen out of the stress between ideological commitment and imaginative realization in Silkin’s work, the conflict between intuition and perception in the poetry of Tomlinson, and the split between the texture of Gunn’s language and the non-verbal experience evoked in his poems. Finally, Merle Brown presents the last phase of F. R. Leavis’ collaborative literary and cultural criticism as strikingly close to the poetic achievements of Hill, Silkin, Tomlinson and Gunn.

Merle E. Brown who died in 1978 was Professor of English at Denison University and the University of Iowa.

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