Double Talk

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A01=Wayne Koestenbaum
Author_Wayne Koestenbaum
Burning Burning Burning
Category=DSB
Category=JBCC
Category=JBSF1
Category=JBSF11
Category=JBSF2
Category=JBSJ
Category=JHBA
Category=NH
Collaborative Text
Dead Men
Double Authorship
Double Writing
eq_bestseller
eq_biography-true-stories
eq_history
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist literary analysis
fin de siA?cle sexuality
Fire Sermon
Ford's Romance
Ford’s Romance
Frau Emmy Von
George Street
Hyacinth Garden
hysterical
Hysterical Childbirth
Hysterical Discourse
Idiot Boy
Jug Jug
Jules De Goncourt
La La
Leonardo's Sketch
Leonardo’s Sketch
Lyrical Ballads
Madame Sosostris
male authorship dynamics
Male Collaboration
male same-sex collaboration in literature
masculinity studies
Michael Field
Naked Sailors
psychoanalytic theory
queer literary criticism
Sexual Inversion
Woman's Affliction
Woman’s Affliction
Young Man

Product details

  • ISBN 9780415790079
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 11 Apr 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Sigmund Freud and Josef Breuer on hysteria, J.A. Symonds and Havelock Ellis on sexuality, a novel by Ford Madox Ford and Joseph Conrad, The Waste Land of T.S. Eliot (and Ezra Pound), even the Lyrical Ballads of Wordsworth and Coleridge: men making books together. Wayne Koestenbaum's startling interpretation of literary collaboration focuses on homosexual desire: men write together, he argues, in order either to express or to evade homosexual feelings. Their writing becomes a textual intercourse, the book at once a female body they can share and the child of their partnership. These man-made texts steal a generative power that women's bodies seem to represent.

Seen as the site of a struggle between homosexual and homophobic energies, the texts Koestenbaum explores – works of psychoanalysis, sexology, fiction, and poetry – emerge as more complex, more revealing. They crystallize and refract the anxiety of male sexuality at the end of the last century, and open up a deeper understanding of connections today between the erotic and the literary. Drawing upon the work of feminist critics, Koestenbaum connects male collaboration and the exchange of women within patriarchy: he peers into both medical texts and imaginative literature, disturbing our ready acceptance of the co-authored work. This strong and unsettling book transforms our understanding of the creative process, providing a new sense of what both collaborative and solitary artistry mean.

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