Dāphā: Sacred Singing in a South Asian City

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A01=Richard Widdess
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Author_Richard Widdess
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Bhaktapur's musical world
caste and music
Category1=Non-Fiction
Category=AVGD
Category=AVGW
Category=AVLK
Category=AVLW
Category=HREC
Category=QRF
Category=QRVJ1
Contour Schema
COP=United Kingdom
dance performance
dapha song
Delivery_Delivery within 10-20 working days
Devotional Singing
devotional song analysis
divine source
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eq_music
eq_nobargain
eq_non-fiction
ethnomusicology
Exchange Pitches
fast
Foundational Schemas
Hindu social orders
Instrumental Interjections
kathmandu
kings
Language_English
Lower Town
malla
Malla Kings
Malla Period
Melodic Materials
melodic structure
Musical Order
Nepalese music
Newar Culture
Newar rituals
North Indian Classical Music
Octave Descent
order
PA=Available
Participatory Music
performance
Performance Schema
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Raga
raga tala systems
rhythmical contraction
Sacred Orders
sacred singing
schema
session
singing Community
softlaunch
Solar Calendar
Solar Month
Song Melodies
South Asian City
South Asian Music
South Asian oral traditions
South Asian Religious Traditions
Taleju Temple
tempo
traditional music
Upper Town
urban Nepalese music culture
valley
Vice Versa

Product details

  • ISBN 9781409466017
  • Weight: 844g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Dec 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Dāphā, or dāphā bhajan, is a genre of Hindu-Buddhist devotional singing, performed by male, non-professional musicians of the farmer and other castes belonging to the Newar ethnic group, in the towns and villages of the Kathmandu Valley, Nepal. The songs, their texts, and their characteristic responsorial performance-style represent an extension of pan-South Asian traditions of rāga- and tāla-based devotional song, but at the same time embody distinctive characteristics of Newar culture. This culture is of unique importance as an urban South Asian society in which many traditional models survive into the modern age.

There are few book-length studies of non-classical vocal music in South Asia, and none of dāphā. Richard Widdess describes the music and musical practices of dāphā, accounts for their historical origins and later transformations, investigates links with other South Asian traditions, and describes a cultural world in which music is an integral part of everyday social and religious life. The book focusses particularly on the musical system and structures of dāphā, but aims to integrate their analysis with that of the cultural and historical context of the music, in order to address the question of what music means in a traditional South Asian society.

Richard Widdess is Professor of Musicology in the Department of Music, School of Oriental and African Studies, University of London. He writes about the music of South Asia, especially traditions of vocal music, with reference to the structure, theoretical systems, performance analysis, cognition, history and cultural meanings of music.

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