Drag, Interperformance, and the Trouble with Queerness

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A01=Katie Horowitz
Author_Katie Horowitz
Ballroom Culture
Boxing Gloves
Category=DSA
Category=JBSF
Category=JBSJ
Cheshire Cat
Collective Flies
Common Language
DJ Booth
Drag Culture
Drag King Performance
Drag Kings
Drag Performance
Drag Queen
Drag Queens
Drag Race
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist cultural analysis
Femme Gender Expression
Gay Male Culture
gender performativity
Hegemonic Femininity
Hershey Kiss
identity formation
interperformance
Jewel Box Revue
kinging
lesbian gay relations
LGBT Community
LGBT Folk
LGBTQ community studies
Miss Red
Omniperformance
performance ethnography
Pop Star
qualitative drag performance research
queening
Queer Cisgender Women
queer coalition building
queer life
Queerness
RuPaul's Drag Race
RuPaul’s Drag Race
stage persona
Trans Men
transgenderism
USC Library
VIP Area
Young Man

Product details

  • ISBN 9781138327344
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This story of drag kings and queens at Cleveland, Ohio’s most popular gay bar reveals that these genres have little in common and introduces interperformance, a framework for identity formation and coalition building that provides strategies for repairing longstanding rifts in the LGBT community.

Drag, Interperformance, and the Trouble with Queerness is the first book centered on queer life in this growing midwestern hub and the first to focus simultaneously on kinging and queening. It shows that despite the shared heading of drag, these iconically queer institutions diverge in terms of audience, movement vocabulary, stage persona, and treatment of gender, class, race, and sexuality. Horowitz argues that the radical (in)difference between kings and queens provides a window into the perennial rift between lesbians and gay men and challenges the assumption that all identities subsumed under the queer umbrella ought to have anything in common culturally, politically, or otherwise. Drawing on performer interviews about the purpose of drag, contestations over space, and the eventual shuttering of the bar they called home, Horowitz offers a new way of thinking about identity as a product of relations and argues that relationality is our best hope for building queer communities across lines of difference.

The bookwill be key reading for students and faculty in the interdisciplinary fields of feminist, gender, and sexuality studies; performance studies; American studies; cultural studies; ethnography; and rhetoric. It will be useful to graduate students and faculty interested in queer culture, gender performance, and transgender studies. At the same time, the clear and relatable writing style will make it accessible to undergraduates and well suited to upper-level courses in queer theory, LGBTQ identities, performance studies, and qualitative research methods.

Katie Horowitz is Assistant Professor of Gender & Sexuality Studies and Writing at Davidson College, where she writes and teaches about intersectional queer, feminist, and transgender theories, body politics, and radical social movements. Her work has appeared in Signs, Porn Studies, and CrossCurrents.

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