Dramas of the Past on the Twentieth-Century Stage

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A01=Alexander Feldman
Author_Alexander Feldman
Brenton's Play
Brenton’s Play
Bridgeman Art
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Category=ATD
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Churchill Play
Country's Good
Country’s Good
Dead Man
Drama
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eq_history
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European theatre criticism
Farquhar's Comedy
Farquhar's Play
Farquhar’s Comedy
Farquhar’s Play
Forty Years
George III
Heartbreak House
historiographic drama
Historiographic Metafiction
History
History's Wings
History’s Wings
Interior Play
Jean Paul Marat
Jemmy Button
metatheatrical techniques
Midsummer Night's Dream
Midsummer Night’s Dream
national identity performance
Performance
play within a play analysis
political theatre analysis
postwar British plays
Recruiting Officer
Research
RSC Production
Salzburg Festival
Theater
Theatre
Theatrum Mundi
Timberlake Wertenbaker
Wertenbaker's Play
Wertenbaker’s Play
Wilde's Play
Wildean Travesty
Wilde’s Play
Young Man

Product details

  • ISBN 9780415502184
  • Weight: 660g
  • Dimensions: 152 x 229mm
  • Publication Date: 19 Dec 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book defines and exemplifies a major genre of modern dramatic writing, termed historiographic metatheatre, in which self-reflexive engagements with the traditions and forms of dramatic art illuminate historical themes and aid in the representation of historical events and, in doing so, formulates a genre. Historiographic metatheatre has been, and remains, a seminal mode of political engagement and ideological critique in the contemporary dramatic canon. Locating its key texts within the traditions of historical drama, self-reflexivity in European theatre, debates in the politics and aesthetics of postmodernism, and currents in contemporary historiography, this book provides a new critical idiom for discussing the major works of the genre and others that utilize its techniques. Feldman studies landmarks in the theatre history of postwar Britain by Weiss, Stoppard, Brenton, Wertenbaker and others, focusing on European revolutionary politics, the historiography of the World Wars and the effects of British colonialism. The playwrights under consideration all use the device of the play-within-the-play to explore constructions of nationhood and of Britishness, in particular. Those plays performed within the framing works are produced in places of exile where, Feldman argues, the marginalized negotiate the terms of national identity through performance.

Benedict Alexander Feldman is Assistant Professor of Modern British and American Drama at Grant MacEwan University, Canada.

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