Dramatic Discourse

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A01=Vimala Herman
adjacency
Author_Vimala Herman
Big Day
Category=ATD
Category=C
Category=DSG
change
conversation analysis
Current Speaker
deictic
Deictic Centre
Deictic Field
dell
dialogue
Dramatic Dialogue
Dramatic Figure
Dramatic Speech
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnography of communication
events
Felicity Conditions
hymes
Illocutionary Act
Illocutionary Force
Intra-turn Pauses
linguistic analysis of plays
literary linguistics
Locutionary Act
Optimal Relevance
Ostensive Act
pairs
performance analysis
Sir ANDREW
Sir Toby
Speaker Change
Speaker Self-selects
speech
speech act theory
Speech Event
Speech Exchange
Stage Event
stylistics research
Tact Maxim
turn
Turn Change
Turn Distribution
Young Men

Product details

  • ISBN 9780415082419
  • Weight: 566g
  • Dimensions: 138 x 216mm
  • Publication Date: 02 Nov 1995
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Whilst poetry and fiction have been subjected to extensive linguistic analysis, drama has long remained a neglected field for detailed study. Vimala Herman argues that drama should be of particular interest to linguists because of its form, dialogue and subsequent translation into performance. The subsequent interaction that occurs on stage is a rich and fruitful source of analysis and can be studied by using discourse methods that linguists employ for real-life interaction. Shakespeare, Pinter, Osborne, Beckett, Chekhov, and Shaw are just some of the dramatists whose material is drawn upon. Each chapter contains a theoretical section in which major concepts of each framework are explained before the relevance of the framework to dramatic discourse is analyzed and explored using textual examples. This book will be of interest to undergraduates and postgraduates studying in the areas of literary linguistics and stylistics, or anyone specialising in the relationship between the text and performance.

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