Dramatic Monologue (Routledge Revivals)

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A01=Alan Sinfield
advanced dramatic monologue analysis
Amours De Voyage
andrea
Author_Alan Sinfield
Category=DSC
Celtic Background
Clough's Amours De Voyage
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Dense
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Dramatic Monologue
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duchess
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
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Fuller Tone
hall
Holy Willie's Prayer
last
lippi
lippo
literary form evolution
locksley
Locksley Hall
Locksley Hall Sixty Years
Lord Weary's Castle
Lume Spento
narrative voice studies
Persona
persona theory
poetic speaker identity
Roman De Ia Rose
Roosting
Shakespeare's Richard III
Song Of The Sun
Sophistical Answering
Subjective Objective Dichotomy
Tiresias
verse epistle tradition
victorian
Victorian Dramatic Monologue
Victorian poetry analysis
Victorian Poets

Product details

  • ISBN 9780415837668
  • Weight: 220g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 Mar 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First published in 1977, this book looks at the versatile literary form of dramatic monologue. Although it is often associated with Browning and other poets writing between 1830 and 1930, the concept has been employed by diverse poets of multiple periods such as Ovid, Chaucer, Donne, Blake, Wordsworth, Philip Larkin and Ted Hughes. In this study, Alan Sinfield demonstrates and analyses the range and adaptability of the form through detailed examples. He shows that the technique maintains a shifting and uncertain balance between the voices of the poet and of his created speaker; when extended, as in Maud, Amours de Voyage, The Ring and the Book, and The Wasteland, the use of dramatic monologue raises questions of personality and perception.

In the second part of the text, the author discusses the origins of Victorian and Modernist dramatic monologue in the dramatic complaint and the Ovidian verse epistle of earlier periods, offering a new interpretation of the value of dramatic monologue to Browning and Tennyson. Through his writing, Alan Sinfield successfully highlights the eternal vibrance of the form.

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