Dramatic Society

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A01=Klaas Tindemans
Ai Weiwei
Arturo Ui
As You Like It
Author_Klaas Tindemans
Berliner Ensemble
Bertold Brecht
Category=AB
Category=AFKP
Category=ATD
Category=JPA
Chokri Ben Chikha
Christoph Schlingensief
Clipped
contemporary politics
cultural studies
culture
De Wolf
EEC Treaty
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Federal Republic Of Germany
GDR
genocide representation
Hannah Arendt
Hate Radio
history
Horror Movie
Human Zoos
Laila Soliman
Medea
Milo Rau
News Ticker
performance politics intersection case studies
performance studies
political characters
political figures
political performance analysis
political theory
politics in performance
postwar German theatre
RAF Terrorism
Resistible Rise
revolutionary dramaturgy
Saartjie Baartman
SED
Shakespeare
Slavoj Zizek
Snake Plants
terrorism in theatre
theatre
theatre studies
Toneelgroep Amsterdam
totalitarianism critique
Transitional Justice
transitional justice studies
Truth Commission
Vice Versa
Violating
Willem de Wolf
Wooster Group
Young Man

Product details

  • ISBN 9780367483173
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Oct 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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All societies are, by their very nature, dramatic. They present themselves, especially for those who want to look back in time, as a fascinating and confusing whole of theatrical events and constructions. Sometimes the theatre itself succeeds in capturing that fascination and confusion. This book describes the dramatic society in the form of case studies that link politics, history and culture.

The Dramatic Society uses selected plays to examine specific moments in history. Its range of subjects are extremely diverse, including Medea as an icon of terrorism, a choreography based upon Shakespeare’s As You Like It, horror movies about the German unification, a truth commission dealing with "human zoos", and the reconstruction of Ai Weiwei’s troubles with the tax authorities. This collection of insightful essays deals with theatrical performances – including happenings, installations and movies – of the past fifty years, with every chapter attempting to link artistic events with politics and political theory, from Hannah Arendt to Slavoj Žižek.

This is a revealing assessment of the ways in which drama and politics become intertwined, offering crucial insights for scholars and students of theatre studies, performance studies, contemporary politics and cultural studies.

Klaas Tindemans is head of research at the Royal Institute for Theatre, Cinema and Sound (RITCS) in Brussels. He teaches dramaturgy and political theory at RITCS, and cultural history at the Royal Conservatoire Brussels (KCB) and is a researcher at the Vrije Universiteit Brussel (VUB).

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