Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood

Regular price €59.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Grace Ioppolo
Author_Grace Ioppolo
Authorial Fair Copy
authorial revision process
authors
Category=DS
Category=DSB
Category=DSG
Cheshire Record Office
copy
copying
dramatic
dramatic manuscript studies
Dramatic Manuscripts
early
Early Modern Dramatic
early modern literary archives
English Renaissance playwriting process
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fair
Fair Copy
Fair Copy Manuscripts
foul
Foul Papers
Foul Sheet
Fowle Papers
Jonson's Entertainment
Jonson’s Entertainment
Lady Elizabeth's Men
Lady Elizabeth’s Men
modern
National Library
papers
playhouse
Playhouse Scribe
Renaissance theatre history
Richard III
Robert Daborne
Romeo's Speech
Romeo’s Speech
Salisbury Court
Salisbury Court Theatre
Scribal Fair Copies
Scribal Manuscripts
scribal practices in drama
Secretary Hand
Shakespeare's Foul Papers
Shakespeare’s Foul Papers
Sir John Van Olden Barnavelt
textual transmission
Verse Line
Young Man

Product details

  • ISBN 9780415470315
  • Weight: 398g
  • Dimensions: 156 x 234mm
  • Publication Date: 19 Mar 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition . The reunion of authors and their texts demonstrate that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues authorship was a continual process.

Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.

More from this author