Dramaturgy of Migration

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Bahasa Melayu
Category=AFKP
Category=ATDF
Common Language
Contemporary Society
decolonial performance
Diaglocity
Encounter
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fran Kenstein
Gun Powder
Heteroglossia
Hybridity
identity negotiation
intercultural theatre
Language
language politics stage
Mao Zedong
migrant theatre
Migration
Multicultural
Multilingual
multilingual performance research
multilingual productions
multilingual theatregoers
multiple theatre forms
Oral Memory
performance studies
Postdramatic
postdramatic dramaturgies
Postdramatic Theatre
Postmodern
Priest Ess
transnational dramaturgy
Tv Presenter
Wu Wenguang
Young Man

Product details

  • ISBN 9781138576285
  • Weight: 460g
  • Dimensions: 138 x 216mm
  • Publication Date: 01 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices.

This book explores how these forms and devices are employed, challenged, experimented with, and reflected upon in the work of migrant theatre by performance and dance artists. Meerzon and Pewny ask: What impact do peoples’ movement between continents, countries, cultures, and languages have on the process of meaning production in plays about migration created by migrant artists? What dramaturgical devices do migrant artists employ when they work in the context of multilingual production, with the texts written in many languages, and when staging performances that target multicultural and multilingual theatregoers? And, finally, how do the new multilingual practices of theatre writing and performance meet and transform the existing practices of postdramatic dramaturgies? By considering these questions in a global context, the editors explore the overlapping complexities of migratory performances with both range and depth.

Ideal for scholars, students, and practitioners of theatre, dramaturgy, and devising, Dramaturgy of Migration expresses not only the practicalities of migratory performances but also the emotional responses of the artists who stage them.

Yana Meerzon is Professor of Theatre Studies in the Department of Theatre, University of Ottawa. She has published on theatre of exile and migration, as well as cultural and interdisciplinary studies. Her books include A Path of the Character: Michael Chekhov’s Inspired Acting and Theatre Semiotics (2005) and Performing Exile Performing Self: Drama, Theatre, Film (2012); she has also co-edited several book collections and special issues of journals on these topics.

Katharina Pewny is a Berlin-based yoga teacher and independent researcher of movement studies, who was previously Professor of Performance Studies at Ghent University. Her publications include the monograph Das Drama des Prekären (2011) and other publications on performance and the creation of diverse communities.