Home
»
Drawing the Iron Curtain
A01=Maya Balakirsky Katz
animation
animators
architecture
art
art design
art history
Author_Maya Balakirsky Katz
cartoons
Category=ATFV
Category=JBSR
Cheburashka
Cold War
communications
design
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film
film and video
film history
film industry
film production
film studies
filmmakers
Former Soviet Union
graphic arts
graphic design
history
history and criticism
Holocaust
illustration
Jewish filmmakers
Jewish history
jewish interest
Jewish Studies
media studies
military history
music
performing arts
Russia
Russian
Soviet Holocaust
Soviet Mickey Mouse
Soviet Union
Soyuzmultfilm
Tale of Tales
The Brumberg Sisters
video
war
war history
world history
Product details
- ISBN 9780813577012
- Weight: 794g
- Dimensions: 178 x 254mm
- Publication Date: 15 Jul 2016
- Publisher: Rutgers University Press
- Publication City/Country: US
- Product Form: Hardback
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
In the American imagination, the Soviet Union was a drab cultural wasteland, a place where playful creative work and individualism was heavily regulated and censored. Yet despite state control, some cultural industries flourished in the Soviet era, including animation. Drawing the Iron Curtain tells the story of the golden age of Soviet animation and the Jewish artists who enabled it to thrive. Art historian Maya Balakirsky Katz reveals how the state-run animation studio Soyuzmultfilm brought together Jewish creative personnel from every corner of the Soviet Union and served as an unlikely haven for dissidents who were banned from working in other industries. Surveying a wide range of Soviet animation produced between 1919 and 1989, from cutting-edge art films like Tale of Tales to cartoons featuring “Soviet Mickey Mouse” Cheburashka, she finds that these works played a key role in articulating a cosmopolitan sensibility and a multicultural vision for the Soviet Union. Furthermore, she considers how Jewish filmmakers used animation to depict distinctive elements of their heritage and ethnic identity, whether producing films about the Holocaust or using fellow Jews as models for character drawings. Providing a copiously illustrated introduction to many of Soyuzmultfilm’s key artistic achievements, while revealing the tumultuous social and political conditions in which these films were produced, Drawing the Iron Curtain has something to offer animation fans and students of Cold War history alike.
MAYA BALAKIRSKY KATZ is a professor and chair of the art history department at Touro College, in New York. She is the author of The Visual Culture of Chabad and the editor of Revising Dreyfus.
Qty:
