Dreaming Down the Track

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A01=William Lempert
Aboriginal Australia
archives
Author_William Lempert
Balgo
biography
Category=ATFA
Category=JBSL11
Category=JHMC
collaborative filmmaking
Cultural anthropology
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
futurity
Great Sandy Desert
Indigenous film
Kukatja
Kurrarlkatjanu: The Last Generation
marginalized communities
Mark Moora
media ethnography
northwestern Australia
settler states
sovereignty
Sydney Film Festival
Tjawa Tjawa
truth and reconciliation
visual anthropology

Product details

  • ISBN 9781517918279
  • Weight: 399g
  • Dimensions: 140 x 216mm
  • Publication Date: 03 Jun 2025
  • Publisher: University of Minnesota Press
  • Publication City/Country: US
  • Product Form: Paperback
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What can Aboriginal filmmaking reveal about Indigenous presence and futures?

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth.

William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family’s return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora’s life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them.

Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora’s insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures.

William Lempert is assistant professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal.

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