Home
»
Dreaming with Open Eyes
1690
17th century
A01=Ayana O. Smith
aesthetic
alessandro scarlatti
arcadian reform
Author_Ayana O. Smith
carlo francesco pollarolo
Category=AVC
Category=AVLF
character
crossroads
debates
early modern period
enlightenment
eq_art-fashion-photography
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_non-fiction
gender
genre
interpreters
italian
italy
la forza della virtu
la statira
literary background
modern scholars
ocularcentric
opera
opera criticism
philosophical background
rome
text and music
visual symbolism
Product details
- ISBN 9780520298156
- Weight: 590g
- Dimensions: 152 x 229mm
- Publication Date: 05 Mar 2019
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment. Ayana O. Smith reevaluates significant aspects of the Arcadian reform aesthetic and establishes a historically informed method of opera criticism for modern scholars and interpreters. Unfolding in a narrative fashion, the text explores facets of the philosophical and literary background and concludes with close readings of text and music, using visual symbolism to create readings of gender and character in two operas: Alessandro Scarlatti's La Statira (Rome, 1690), and Carlo Francesco Pollarolo's La forza della virtù (Venice, 1693). Smith’s interdisciplinary approach enhances our modern perception of this rich and underexplored repertory, and will appeal to students and scholars not only of opera, but also of literature, philosophy, and visual and intellectual cultures.
Ayana O. Smith is Associate Professor of Musicology at the Jacobs School of Music at Indiana University. Her research focuses on interdisciplinary critical approaches to music and text in seventeenth-century Italian opera.
Qty: