Dressing the Resistance

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A01=Camille Benda
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Author_Camille Benda
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camille benda
Category1=Non-Fiction
Category=AGA
Category=AKT
Category=AKTH
Category=JPWF
Category=JPWG
clothing books
COP=United States
cultural history
Delivery_Pre-order
diversity books
diversity equity and inclusion
dressing the resistance
eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist movement
freedom fighters book
history of social justice
Language_English
PA=Reprinting
Price_€20 to €50
protest
protest book
protest movements
PS=Active
social change book
softlaunch

Product details

  • ISBN 9781616899882
  • Dimensions: 203 x 267mm
  • Publication Date: 11 Nov 2021
  • Publisher: Princeton Architectural Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Dressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change.

Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before.

Camille Benda is the Head of Costume Design at California Institute of The Arts, School of Theatre, where she has also been appointed to a Research and Practice Fellowship on inclusive and equitable dress history. She has a Masters of Fine Art in Theatre Design from Yale School of Drama, and a Masters of Art from the Courtauld Institute in the History of Dress.

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