Dysfunctional

Regular price €67.99
A01=Glenn Adamson
Architecture
Art
Author_Glenn Adamson
Category1=Non-Fiction
Category=AGC
Category=NL-AG
collections
contemporary
COP=France
Craftsmanship
Design
Discount=15
Editions
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Exhibition
Form
Format=BB
Format_Hardback
Function
HMM=305
IMPN=Norma
installation
ISBN13=9782376660255
Language_English
PA=Available
PD=20191001
Price_€50 to €100
PS=Active
PUB=Norma
Subject=Art Treatments & Subjects
WMM=250

Product details

  • ISBN 9782376660255
  • Format: Hardback
  • Weight: 1510g
  • Dimensions: 250 x 305mm
  • Publication Date: 25 Nov 2019
  • Publisher: Editions Norma
  • Publication City/Country: FR
  • Product Form: Hardback
  • Language: English
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Must form still follow function, as Martin Gropius, Le Corbusier, and their followers proclaimed? Dysfunctional invites a reconsideration of the conventional relationship between artistic expression and functionality. In an exhibition organised by the Carpenters Workshop Gallery in the stunning setting of the Ca'd'Oro in Venice, site-specific works by 17 established and emerging artists explore the boundaries of art, architecture, and design. These contemporary artists draw on the rich heritage of Venetian craftsmanship and the museum's exceptional collection of Italian masterpieces to create a meaningful dialogue about the 20th century mantra of form following function. With work located in the realm between craft and art, each of the artists in the show challenges preconceptions about what is beautiful and what is useful, what is historical, and what is modern. Included here are site-specific installations and furniture-sculpture by Nacho Carbonell, Studio Drift, Vincent Dubourg and Virgil Abloh, organic benches by Wendell Castle and Mathieu Lehanneur, and inhabited clocks by Maarten Baas, among others.

Glenn Adamson is a curator and writer who works at the intersection of craft, design history and contemporary art. Former director of the Museum of Arts and Design in New York and head of research at the Victoria & Albert Museum, London, he is currently a senior scholar at the Yale Center for British Art. He is the author of numerous publications including Fewer Better Things: The Hidden Wisdom of Objects, 2018, The Invention of Craft, 2013, The Craft Reader, 2010, all published by Bloomsbury. He contributes regularly to Art in America, Crafts, Disegno, Frieze, Antiques magazine and other publications.