Early Cinema in Russia and its Cultural Reception

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A01=Yuri Tsivian
Alexander III
Andrei Bely
Anna Karenina
Apollon Apollonovich
audience perception history
Author_Yuri Tsivian
Barry Salt
Category=ATF
Category=GTM
Category=JBCC
Category=JBCT
Category=JHB
Category=JPWC
Category=NHD
Category=NHTB
Catherine Wheel
cinema architecture research
cinema culture
cinema history
Darting Fish
Dziga Vertov
Early Film Spectators
early twentieth century media
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feather Boas
film history
Film Music
Film Reception
film reception studies
Griffith's Broken Blossoms
historical Russian film audience experience
La Ciotat Station
Leonid Sabaneyev
Lumiere Cinematograph
Moscow Art Theatre
Nevsky Avenue
Revolving Stage
Rhetorical Author
russian cinema
russian film
Russian Film Literature
Russian modernism
Transition Inserts
tsarist era
Violates
visual culture analysis
Young Man
Zinaida Gippius

Product details

  • ISBN 9781138968097
  • Weight: 226g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Dec 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years.

The author traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films from actors, novelists, poets, writers and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics.

In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. The book presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. The study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

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