Early Cinema, Modernity and Visual Culture

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Ana Grgic
alternative modernity in cinema
archival film research
archives
Author_Ana Grgic
Balkan cultural history
balkan studies
Category=AB
Category=AGA
Category=ATF
Category=JBCT
Category=NH
cross-cultural spectatorship
cultural memory
early cinema
early twentieth-century media
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film phenomenology
haptic visuality
transnational film studies

Product details

  • ISBN 9781041178408
  • Weight: 510g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Based on original archival research, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. It investigates how the unique geopolitical positioning of the Balkan space and its multiculturality influenced and shaped visual culture and cinema. Countering Eurocentric modernity paradigms and reframing hierarchical relations between centres and peripheries, this book adopts an alternative methodology for interstitial spaces. By deploying the notion of the haptic, it establishes new connections between moving image artefacts and print media, early film practitioners, the socio-political context and cultural responses to the new visual medium.

Ana Grgic (PhD, University of St Andrews) is Associate Professor at Babes-Bolyai University. Her research on Balkan cinemas, archives, and cultural memory has appeared in Early Popular Visual Culture, Studies in Eastern European Cinema, Film Quarterly, and KinoKultura. She is co-editor of Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits (2020), and is Associate Editor of Studies in World Cinema.

More from this author