Early Gothic Column-Figure Sculpture in France

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A01=Janet E. Snyder
Angers Cathedral
Author_Janet E. Snyder
Bayeux Embroidery
Bourges Cathedral
Cappella Palatina
Category1=Non-Fiction
Category=AFKB
Category=AGA
Category=NL-AC
Category=NL-AF
Chartres Cathedral
Church Portal
Church Portal Sculpture
church portal sculpture analysis
Column Figure Sculpture
COP=United Kingdom
De Sigillographie
ecclesiastical art history
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Format=BB
High Quality Silk Textiles
Imperial Silks
IMPN=Ashgate Publishing Limited
ISBN13=9781409400653
jamb
Language_English
Le Mans Cathedral
left
Left Jamb
Left Portal
limestone carving techniques
louis
Louis VII
medieval sculpture
National Du Moyen Age
PA=Available
Parisian Quarries
PD=20110916
portal
Portal Composition
Portal Design
portal iconography
Portal Sculpture
Portal Sculpture Program
Price=€100 to €200
PS=Active
PUB=Taylor & Francis Ltd
Regal Dalmatic
Sculpture Programs
Subject=Art Forms
Subject=History Of Art/art & Design Styles
Suger's Abbacy
Suger’s Abbacy
textile symbolism in art
twelfth-century France
vii
Young Man

Product details

  • ISBN 9781409400653
  • Weight: 453g
  • Dimensions: 172 x 244mm
  • Publication Date: 16 Sep 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Richly illustrated, Early Gothic Column-Figure Sculpture in France is a comprehensive investigation of church portal sculpture installed between the 1130s and the 1170s. At more than twenty great churches, beginning at the Royal Abbey of Saint-Denis and extending around Paris from Provins in the east, south to Bourges and Dijon, and west to Chartres and Angers, larger than life-size statues of human figures were arranged along portal jambs, many carved as if wearing the dress of the highest ranks of French society. This study takes a close look at twelfth-century human figure sculpture, describing represented clothing, defining the language of textiles and dress that would have been legible in the twelfth-century, and investigating rationale and significance. The concepts conveyed through these extraordinary visual documents and the possible motivations of the patrons of portal programs with column-figures are examined through contemporaneous historical, textual, and visual evidence in various media. Appendices include analysis of sculpture production, and the transportation and fabrication in limestone from Paris. Janet Snyder's new study considers how patrons used sculpture to express and shape perceived reality, employing images of textiles and clothing that had political, economic, and social significances.

Professor of Art History at West Virginia University, Janet Snyder's research addresses medieval limestone sculpture and architecture, and representations of clothing, textiles, and of the human form.

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