Early Modern Corpse and Shakespeare's Theatre
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A01=Susan Zimmerman
Author_Susan Zimmerman
Category=DSBD
Category=DSG
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eq_biography-true-stories
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Literary Studies
Product details
- ISBN 9780748633630
- Weight: 395g
- Dimensions: 156 x 234mm
- Publication Date: 05 Jun 2007
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Paperback
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Now available in paperback, The Early Modern Corpse and Shakespeare’s Theatre explores the relationship of the public theatre to the question of what constituted the ‘dead’ in early modern English culture within a theoretical framework that makes use of history, psychoanalysis and anthropology.Susan Zimmerman argues that concepts of the corpse as a semi-animate, generative and indeterminate entity were deeply rooted in medieval religious culture. Such concepts ran counter to early modern discourses that sought to harden categorical distinctions between body/spirit, animate/inanimate - in particular, the attacks of Reformists on the materiality of ‘dead’ idols, and the rationale of the new anatomy for publicly dissecting ‘dead’ bodies. Zimmerman contends that within this context, theatrical representations of the corpse or corpse/revenant - as seen here in the tragedies of Shakespeare and his contemporaries - uniquely showcased the theatre’s own ideological and performative agency. Features* Original in its conjunction of critical theory (Bataille, Kristeva, Lacan, Benjamin) with an historical account of the shifting status of the corpse in late medieval and early modern England* The first study to demonstrate connections between the meanings attached to the material body in early modern Protestantism, the practice of anatomical dissection, and the English public theatre
Susan Zimmerman is Professor of English at the City University of New York
