Early Modern Court Culture

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Agents
Ambassadorial Receptions
Archduke Ferdinand II
aristocratic networks
August Iii
Banquets
Beauty
Carpets
Castrum Doloris
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Ceremonial
Chapels
Charles II's Mistress
Charles III
Childbirth
Children
Chivalry
Confessors
Consorts
Coronations
Court culture
Court Fools
Court ladies
court studies
Courtiers
Dance
Diplomats
Dressing the Body
Dynastic States
Early Modern Court
Early Modern Europe
Eating
Edward III
elite sociability
Entertainment
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Female Dress
Ferdinand III
Frans Pourbus
French Renaissance Court
Funerals
Furniture
Games
Gardens
gendered authority
George III
Goldsmiths
Hair
Harris Brisbane Dick Fund
Health
Heirs
Henri III
Holy Roman Emperor Rudolf II
Hunting
interdisciplinary court studies
Italian Renaissance Courts
Jewellery
King William III
Knowledge
Literature
Liturgical Calendar
Madame De Montespan
Male Dress
Material Culture
Medicine
Menagerie
Ministers
Monarchs
Monasteries
Mozart
Music
Opera
performative identity
Philip III
Place and Space
Political Structures
Porcelain Rooms
Portraiture
Princely Residences
Religious Rituals
Renaissance Monarchy
Ritual
Royal Confessors
royal patronage
Rural Residences
Scent
Science
Spanish Habsburgs
spatial politics
Tapestries
The Nobility
The Stuart Courts
Theatre
Tournaments
Trianon De Porcelaine
Triumphal Entries
Tudor Court
Versailles
Vienna
Visual Culture
Wall Hangings
Weddings
William III
Wolfgang Amadeus Mozart
Young Men

Product details

  • ISBN 9781032304328
  • Weight: 1000g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Through a thematic overview of court culture that connects the cultural with the political, confessional, spatial, material and performative, this volume introduces the dynamics of power and culture in the early modern European court.

Exploring the period from 1500 to 1750, Early Modern Court Culture is cross-cultural and interdisciplinary, providing insights into aspects of both community and continuity at courts as well as individual identity, change and difference. Culture is presented as not merely a vehicle for court propaganda in promoting the monarch and the dynasty, but as a site for a complex range of meanings that conferred status and virtue on the patron, maker, court and the wider community of elites. The essays show that the court provided an arena for virtue and virtuosity, intellectual and social play, demonstration of moral authority and performance of social, gendered, confessional and dynastic identity.

Early Modern Court Culture moves from political structures and political players to architectural forms and spatial geographies; ceremonial and ritual observances; visual and material culture; entertainment and knowledge. With 35 contributions on subjects including gardens, dress, scent, dance and tapestries, this volume is a necessary resource for all students and scholars interested in the court in early modern Europe.

Erin Griffey is Associate Professor of Art History at the University of Auckland and a Fellow of the Society of Antiquaries. She is a specialist in early modern visual and material culture and has published widely on the Stuart court, including On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court (2016). Her other books include the edited collection Sartorial Politics in Early Modern Europe: Fashioning Women (2019). She is writing a monograph entitled Facing Decay: Beauty, Wrinkles and Anti-Aging in Early Modern Europe.