Early Modern Dutch Prints of Africa

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A01=Elizabeth A. Sutton
Arnoldus Montanus
art history methodology
Author_Elizabeth A. Sutton
Blaeu's Map
Blaeu’s Map
book history research
Category=AFH
Category=AGA
Category=NHTQ
claesz
Compagnie Van Verre
cornelis
Cornelis Claesz
De Gheyn
De Marees
Dutch mercantilism
Dutch Voyages
early modern ethnography
East Indies
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European imperialism history
Folio Map
Frederick De Wit
hondius
jacob
Jacob Van Meurs
Jacques De Gheyn II
Jan Huygen Van Linschoten
Jan Janssonius
jodocus
Jodocus Hondius
knowledge formation in travel literature
Linschoten's Itinerario
Linschoten’s Itinerario
marees
Naer Het Leven
Officina Plantiniana
orbis
pieter
Pieter De Marees
Pieter Pauw
Pieter Van Den Broecke
Pieter Van Den Keere
terrarum
theatrum
Van Den Boogaart
Van Den Broecke
visual culture studies
Willem Blaeu

Product details

  • ISBN 9781138245952
  • Weight: 560g
  • Dimensions: 156 x 234mm
  • Publication Date: 14 Oct 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.

Elizabeth A. Sutton is Assistant Professor of Art History at The University of Northern Iowa, USA.

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