Early Modern English Marginalia

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16th century
17th century
Adam Smyth
animals
Austen Saunders
book history
Category=DSBB
Category=DSBC
Category=KNTP
Claire M. L. Bourne
Creative Commons Attribution ShareAlike
cultural studies
Drawn Back
E-book Experience
Early Modern
Early Modern Books
early modern marginalia research
Early Modern Pages
Edward III
Eikon Basilike
Elizabeth Patton
Emma Smith
eq_bestseller
eq_biography-true-stories
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
F1 Text
Free Library
Georgianna Ziegler
Harriet Archer
historical reading practices
Honourable Privy Councel
Intercessory Figures
Isabella's Death
Isabella’s Death
Jason Scott-Warren
john higgins
Joshua Calhoun
literary canon formation
manuscript annotation
manuscripts
medieval texts
Meta-critical Reflection
MS Cotton Tiberius
Page Boy
Pen Soft
Practical Christian
Printer's Mark
Printer’s Mark
Rare Book Department
reader interaction
reformation
religious reform studies
Renaissance Collage
Robert Hooke
Robert Nicholson
Signature A1
Simon Vostre
Sjoerd Levelt
Unsized Paper
Young Man

Product details

  • ISBN 9781032241623
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Marginalia in early modern and medieval texts – printed, handwrit- ten, drawn, scratched, colored, and pasted in – offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode – a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.

Katherine Acheson is a Professor of English Language and Literature and Associate Dean for Undergraduate Programs in the Faculty of Arts at the University of Waterloo