Early Modern Grotesque

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A01=Liam Semler
Antic Dance
Author_Liam Semler
Cambridge Edition
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Continental discourses
Disguising Theatre
early modern aesthetics
Early Modern English
English Courtly Masque
English Expositor
English grotesque
English grotesque historical context
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Grotesque Art
Grotesque Dance
Grotesque Ornament
Grotesque theory
Guy Miege
Hampton Court
Hampton Court Palace
Henry VIII
Hic Mulier
King Henry VIII
Literary studies
literary theory research
Morris Dancing
Naked Boys
primary source annotation
Raphael's Tapestries
Raphael’s Tapestries
Renaissance literature analysis
Salmacida Spolia
Serjeant Painter
Sir John Chardin
Theatre studies
theatricality studies
visual arts interpretation
Wild Man
Winged Putti
Word Forms

Product details

  • ISBN 9781138366589
  • Weight: 650g
  • Dimensions: 152 x 229mm
  • Publication Date: 17 Oct 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque.

While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.

Liam E. Semler is Professor of Early Modern Literature at The University of Sydney, Australia.

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