Early Modern Replicas of the Holy House of Loreto

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A01=Erin Giffin
acheiropoieton
Annunciation
anthropological approaches religion
architectural history
architecture
art history
Author_Erin Giffin
buildings
Caravaggio
Category=AGA
Category=AMX
Category=QRAX
Category=QRM
Catholic
Catholicism
Christianity
church
cult
devotional artefacts analysis
early modern Catholicism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
female
history of architecture
Holy House
Holy Land
iconography
Italy
LIsola di San Clemente
Loretan
material culture studies
memorabilia
objects
patronage
Philippon
pilgrimage
Post-Tridentine
print media
relic
religion
Renaissance
replication of sacred spaces research
sacred
sacred architecture replicas
Santa Casa
sculpture
trompe loeil
Virgin Mary
visual culture
visual material dissemination
votive
women
worship

Product details

  • ISBN 9781032658582
  • Weight: 660g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 Mar 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This comprehensive and cross-cultural study examines three-dimensional structural replicas of the Santa Casa, or Holy House of the Virgin Mary, and related circulating visual and textual media.

Interdisciplinary in its design, the project engages with a broad spectrum of cultures and lay strata, redirecting early modern studies to prioritize anonymously produced Catholic cult objects and devotional memorabilia, disseminated largely between the fifteenth through early nineteenth centuries. By tracing the formation and evolution of Loretan iconography and cult space in two and three dimensions, this publication illuminates the spread of the popular structure as a sculptural cult object and its worship via replication. By combining art historical questions of materiality and form with broader anthropological and social history concerns regarding information production, dissemination, and reception, this book reveals how early modern Catholics capitalized on cult replicas.

This book will be of interest to scholars working in art history, architectural history, religious history, and early modern studies.

Erin Giffin is Visiting Assistant Professor at Hamilton College, USA.

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