agnus
Agnus II
Agnus III
cantus
Cantus Firmus
Cantus Prius Factus
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Category=AVLA
chanson mass studies
Chant Citations
CMM
compositional borrowing in early music
Court Manuscripts
dei
Dense
Dux
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Ferial Masses
fifteenth century musicology
firmus
fors
Fors Seulement
Fortuna Desperata
imitation technique
intertextual analysis
Josquin's Missa
Josquin’s Missa
Margaret Bent
Missa De
Missa De Beata Virgine
model
Musica Nova
Par Moy
Parody Mass
polyphonic
Polyphonic Models
polyphonic motet research
Preexistent Material
qui
Qui Tollis
Renaissance polyphony
Salve Sancta Parens
seulement
Sixteenth Century Motet
Te Domine Speravi
tollis
Product details
- ISBN 9780815335214
- Weight: 453g
- Dimensions: 152 x 229mm
- Publication Date: 01 Dec 2003
- Publisher: Taylor & Francis Inc
- Publication City/Country: US
- Product Form: Hardback
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A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features. The book provides a broad overview of this common practice and sheds light on previously unexplored aspects of early musical borrowing. It functions as both an introduction to the subject as well as a guide for further research. The contributors, all highly regarded in their field, offer new insights that will change the way we view borrowing.
Honey Meconi is Associate Professor of Music at Rice University. She resides in Houston.
