Early Printed Music and Material Culture in Central and Western Europe
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Baroque music
Bayerische Staatsbibliothek
book trade economics
Category=AVLA
Category=AVQ
Category=JHM
Category=NHTB
Christian Egenolff
Della
early modern Europe
early modern music
early modern music printing
early modern print culture
early music printing
eq_art-fashion-photography
eq_bestseller
eq_history
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Europe
European music
Frankfurt Book Fair
gender in music history
Georg Rhau
Harmonie Universelle
historical music printing practices
history of print
Imperial Privilege
Konrad Celtis
material culture
materiality
Mensural Notation
Mobility studies
Music Books
Music Fonts
music history
Music Printing
Music Theory Books
music trade networks
musicology
Ode Settings
Officina Plantiniana
Orlando Di Lasso
Polyphonic Music
print culture
Print Music Books
print studies
Printed music
Printing Privilege
Protestant Reformation
Quatre Parties
Quinta Pars
religious music editions
Renaissance music
Sacrae Cantiones
sixteenth century music publishing
Tenor Partbook
Tylman Susato
Typographic Materials
Western music
Product details
- ISBN 9780367359539
- Weight: 848g
- Dimensions: 174 x 246mm
- Publication Date: 31 May 2021
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe. Chapters consider dimensions of music printing in Britain, the Holy Roman Empire, the Netherlands, France, Spain and Italy, showing how this area of inquiry can engage a wide range of cultural, historical and theoretical issues. From the economic consequences of the international book trade to the history of women music printers, the contributors explore the nuances of the interrelation between the materiality of print music and cultural, aesthetic, religious, legal, gender and economic history. Engaging with the theoretical turns in the humanities towards material culture, mobility studies and digital research, this book offers a wealth of new insights that will be relevant to researchers of early modern music and early print culture alike.
Andrea Lindmayr-Brandl is full professor of music history at the University of Salzburg.
Grantley McDonald is a postdoctoral researcher in the Faculty of Music, University of Oxford.
