Early Years of Native American Art History

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A01=Janet Catherine Berlo
Author_Janet Catherine Berlo
Category=AB
Category=AGA
Category=JBSL11
Category=NHTB
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics

Product details

  • ISBN 9780774804332
  • Weight: 580g
  • Dimensions: 159 x 241mm
  • Publication Date: 01 Jan 1992
  • Publisher: University of British Columbia Press
  • Publication City/Country: CA
  • Product Form: Hardback
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The field of Native American art history, and our idea of whatcomprises Indian art itself, were molded largely by the policies of themuseums and institutions that established their ethnologicalcollections in the second half of the nineteenth century.

Objects housed in the great natural history museums -- collected andseen first as natural history specimens and later as 'primitiveart' -- have long been considered to be normative Native Americanart, rather than as representative of a long and changing history.Collectors' biases against Euro-American influenced work, touristitems, and contemporary art have further distorted our understanding ofthe field. Such attitudes and practices have led to accusations that animperialistic Native American art history not only developed, but alsomaintains, the fictions of a colonizer/colonized relationship.

This collection of essays deals with the development of NativeAmerican art history as a discipline rather than with particular artworks or artists. It focuses on the early anthropologists, museumcurators, dealers, and collectors, and on the multiple levels ofunderstanding and misunderstanding, appropriation and reappropriationwhich characterized their transactions. The essays examine majorfigures, art forms, institutions, and events of the early years whenNative American artworks were first collected, studied, anddisplayed.

Janet Catherine Berlo is a professor in the Departmentof Art History at the University of Missouri, St. Louis.

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