East Asian Auteurism, Cinephilia and the Media Platform Era
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A01=Dorothy Wai Sim Lau
Author_Dorothy Wai Sim Lau
Category=ATFA
cinephilic engagement
digital cinephilia
East Asian auteurs
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film authorship
media platforms
mutations
Product details
- ISBN 9781399536691
- Dimensions: 156 x 234mm
- Publication Date: 31 Jul 2025
- Publisher: Edinburgh University Press
- Publication City/Country: GB
- Product Form: Hardback
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This book makes a critical intervention in the scholarship of East Asian cinema by examining how the platform-driven cinephilic engagement evokes a new imaginary of auteurs. While East Asian filmmakers continue to provide world screens with vibrant and innovative works in recent years, their names and visions have been intensely scrutinised and renegotiated by global cinephiles on digital media platforms such as Facebook, Letterboxd, MUBI, X, and Bilibili. The novel cinephilic experiences potentially problematises the authorial intent and structure legitimised by the traditional cinema, thus, challenging what film authorship means. This monograph employs a dual structuring of auteurism and digital cinephilia to contend how East Asian auteurs' brands are recoded, re-mobilised, and reassessed by platform users. As the first book-length account in the area, this volume calls for conceptual rethought of the auteur function in East Asia at the crossroads of film studies, audience/cinephilia studies, and new media studies.
Dorothy Wai Sim Lau is an Associate Professor at the Academy of Film, Hong Kong Baptist University. She is the author of Chinese Stardom in Participatory Cyberculture (2019), Reorienting Chinese Stars in Global Polyphonic Networks: Voice, Ethnicity, Power (2021), Celebrity Activism and Philanthropy in Asia: Toward a Cosmopolitical Imaginary (2024), and East Asian Auteurism, Cinephilia and the Media Platform Era: Film Authorship Rethought (2025).
