East Asian-German Cinema

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Butterfly's Tragedy
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Category=NHB
Category=NHD
Category=NHF
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Cherry Blossoms
Chinese Segment
Chinese Tv
CIA Contact
cinematic hybridity
Cold War film analysis
Compass Rose
cross-cultural film adaptation
Cultural Citizenship
Current English Language Scholarship
Die Herrin Der Welt
Effi Briest
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eq_history
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Familiar Unfamiliar
gender representation cinema
German Cinema
German East Asian relations
Golgo 13
Korean Wedding
Madame Butterfly
media globalization
Mozart
Ozu's Films
Ozu’s Films
Pachinko Parlor
Puccini's Opera
Puccini’s Opera
Rhythms
Samurai's Daughter
Samurai’s Daughter
Solidarity
Tiger Mom
transcultural film studies
Turkish German Cinema
Vice Versa
Wedding Chest
West Germany
Western Classical Music
Wolfgang Amadeus Mozart

Product details

  • ISBN 9780367743789
  • Weight: 462g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This is the first edited volume dedicated to the study of East Asian-German cinema. Its coverage ranges from 1919 to the present, a period which has witnessed an unprecedented degree of global entanglement between Germany and East Asia. In analyzing this hybrid cinema, this volume employs a transnational approach, which highlights the nations’ cinematic encounters and entanglements. It reveals both German perceptions of East Asia and East Asian perceptions of Germany, through analysis of works by both German directors and East Asian/East Asian-German directors. It is hoped that this volume will not only accelerate cross-cultural exchange, but also provide a wider perspective that helps film scholars to see the broader contexts in which these films are produced. It introduces multiple compelling topics, not just immigration, multiculturalism, and exile, but also Japonisme, children’s literature, musical modernity, media hybridity, gender representation, urban space, Cold War divisions, and national identity. It addresses several genres—feature films, essay films, and documentary films. Lastly, by embracing three East Asian cinemas in one volume, this volume serves as an excellent introduction for German cinema students and scholars. It will appeal to international and interdisciplinary audiences, as its contributors represent multiple disciplines and four world regions.

Joanne Miyang Cho is Professor of History at William Paterson University.