Eastern European Music Industries and Policies after the Fall of Communism

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Alternative Music Scene
Alternative Rock Bands
Alternative Rock Music
BNR
busic business
Category=AVL
Category=KCL
Category=KNTF
CMOs
collecting societies
communism
communist music industries
copyright management Eastern Europe
culture
Digitalisation
digitalisation impact music
East Germany
Eastern Europe
Eastern European countries
Eastern European Music
economy
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Evolutionary Institutionalist Perspective
fall of communism
Federal Republic Of Germany
free market
Free-market economy
International music markets
Major Record Labels
music and culture
Music Export
music festival studies
music festivals
Music Industry
music industry policy transformation
music industry transition
Music Magazines
Music Market
National Libraries
Patryk Galuszka
Polish People's Republic
Polish Song
Popular Music Education
popular music export
post-socialist cultural change
Routledge Russian and Eastern European Music and Culture
Shock Therapy
Showcase Festivals
Television Committee
Turbo Folk
Tv Station
West Germany
Yugoslav Rock

Product details

  • ISBN 9780367755706
  • Weight: 331g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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During the last thirty years Eastern Europe has been a place of radical political, economic, and social transformation, and these changes have affected the cultural industries of its countries. This volume consists of twelve chapters by leading international researchers. Stories are documented of various organisations that once dominated the ‘communist music industries’ — such as state-owned record companies, music festivals, and collecting societies. The strategies employed by artists and industries to join international music markets after the fall of communism are explained and evaluated. Political and economic transformations that coincided with the advent of digitalisation and the Internet intensified the changes. All these issues posed challenges both to record labels and artists who, after adjusting to the rules of the free-market economy, were faced with the falling record sales of records caused by the advent of new communication technologies. This book examines how these processes have all affected the music scene, industries, and markets in various Eastern European countries.

Patryk Galuszka is an associate professor in the Faculty of Economics and Sociology at the University of Lodz, Poland.