Echoes from the East

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1889 Paris exposition
A01=Kiyoshi Tamagawa
Age Group_Uncategorized
Age Group_Uncategorized
Author_Kiyoshi Tamagawa
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Category1=Non-Fiction
Category=AVGC4
Category=AVLA
Category=AVRJ
Claude Debussy
COP=United States
cultural appropriation
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
gamelan
Javanese gamelan
Language_English
music history
music theory
musical exoticism
Orientalism
PA=Available
Paris Exposition
percussion instruments
Price_€20 to €50
PS=Active
softlaunch
Southeast Asian music
tuned percussion instruments

Product details

  • ISBN 9781498597166
  • Weight: 322g
  • Dimensions: 153 x 231mm
  • Publication Date: 28 Jun 2021
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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One of the most admired qualities of Claude Debussy’s music has been its seemingly effortless evocation and assimilation of exotic musical strains. He was the first great European composer to discern the possibilities inherent in the gamelan, the ensemble consisting mainly of tuned percussion instruments that originated in Java.

Echoes from the East: The Javanese Gamelan and its Influence on the Music of Claude Debussy argues Debussy's encounter with the gamelan in 1889 at the Paris Exposition Universelle had a far more profound effect on his work and style than can be grasped by simply looking for passages and pieces in his output that sound “Asian" or “like a gamelan." Kiyoshi Tamagawa recounts Debussy’s individual experience with the music of Java and traces its echoes through his entire compositional career. Echoes from the East adds a commentary on the modern-day issue of cultural appropriation and a survey of Debussy’s contemporaries and successors who have also attempted to merge the sounds of the gamelan with their own distinctive musical styles.

Kiyoshi Tamagawa is professor of music at Southwestern University.

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