Eco-Sonic Media
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€38.99
A01=Jacob Smith
audio equipment history
audio recording history
Author_Jacob Smith
Category=JBCT
Category=RNA
contemporary environmental history
contemporary mediascape
divining rods
domestic music machines
early sound technology
eco sonic media
ecological critique
eq_bestseller
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_society-politics
gramophones
green media
green media archaeology
greening the media
history of sound media
media artifacts
media culture
nondigital sound technology
personal media
pre electronic media
sound media technologies
sound recording equipment
sound recordings
sound studies
Product details
- ISBN 9780520286146
- Weight: 363g
- Dimensions: 152 x 229mm
- Publication Date: 05 Jun 2015
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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The negative environmental effects of media culture are not often acknowledged: the fuel required to keep huge server farms in operation, landfills full of high tech junk, and the extraction of rare minerals for devices reliant on them are just some of the hidden costs of the contemporary mediascape. Eco-Sonic Media brings an ecological critique to the history of sound media technologies in order to amplify the environmental undertones in sound studies and turn up the audio in discussions of greening the media. By looking at early and neglected forms of sound technology, Jacob Smith seeks to create a revisionist, ecologically aware history of sound media. Delving into the history of pre-electronic media like hand-cranked gramophones, comparatively eco-friendly media artifacts such as the shellac discs that preceded the use of petroleum-based vinyl, early forms of portable technology like divining rods, and even the use of songbirds as domestic music machines, Smith builds a scaffolding of historical case studies to demonstrate how green media archaeology" can make sound studies vibrate at an ecological frequency while opening the ears of eco-criticism.
Throughout this eye-opening and timely book he makes readers more aware of the costs and consequences of their personal media consumption by prompting comparisons with non-digital, non-electronic technologies and by offering different ways in which sound media can become eco-sonic media. In the process, he forges interdisciplinary connections, opens new avenues of research, and poses fresh theoretical questions for scholars and students of media, sound studies, and contemporary environmental history.
Jacob Smith is Associate Professor in the Department of Radio, Television, and Film in the School of Communication at Northwestern University. He is the author of Vocal Tracks: Performance and Sound Media, Spoken Word: Postwar American Phonograph Cultures, and The Thrill Makers: Celebrity, Masculinity, and Stunt Performance.
