Ecology Documentaries

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4th Revolution
A01=Susan Hayward
agroecology practices
Ai Weiwei
Andrea Segre
anthropocene
Author_Susan Hayward
BBC Natural History Unit
Broken Cameras
Category=ATFR
Category=JBCC
Category=JBCT
Crude Awakening
documentary film
eco theory
eco-docs
economics
Energy Sources
environmental documentary analysis
environmental studies
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
european cinema
extractive industries
Fatih Birol
film practice
film studies
film theory
Fourth Geneva Convention
Human Flow
Humpback Whale
IDPs
Illegal Waste Dumping
Internally Displaced
International Atomic Energy Agency
Jardim Gramacho
Libyan Police
migration and ecosystems
neoliberalism impact
NFB
North Kivu Province
Planetary Boundaries
planetary degradation
regenerative models
regernative economics
UNHCR Figure
Virunga National Park
Von Einsiedel
WDR
WH

Product details

  • ISBN 9780367621926
  • Weight: 458g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Nov 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This companion piece to Susan Hayward’s Film Ecology focuses on ecology documentaries produced in the first 20 years of the new millennium (2000–19).

Using Kate Raworth’s regenerative economic theoretical model as set out in Doughnut Economics, this book examines 57 films emanating from Europe and the 4 areas of concern they raise about energy production, pollution and waste

management, agribusiness, disrupted ecosystems and the migratory f low. These ecology documentaries make explicit the damage done to our planet thanks to growth capitalism and neoliberal globalisation. But they also provide the evidence that solutions to this planetary abuse exist. The book demonstrates how these documentaries reveal the process of humankind’s planetary plundering and explores the structuring of the eco-doc as a new generic type in the domain of documentary practice. Using Raworth’s model allows us to measure the tentacular extent of the planetary harm growth economics induces and, too, by way of contrast, perceive how regenerative economics can work to redress this harm, heal the Earth and make it a safe place for humanity.

This book is ideal for film studies scholars and students, including those teaching or studying film practice, documentary film, European cinema and environmental studies, as well as economists interested in regenerative economic models. It also has general appeal to all who are concerned about some of the major causes of planetary degradation and its impact on humanity and Earth.

Susan Hayward is Emerita Professor of Cinema Studies at Exeter University, UK. She is the author of several books on French cinema and Cinema Studies: The Key Concepts (now in its fifth edition).

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