Ecology of the English Outlaw in Medieval Literature

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A01=Sarah Harlan-Haughey
Ancestral Romances
Anglo-Norman Romance
Anglo-Saxon exile literature
Author_Sarah Harlan-Haughey
Category=DSBB
Dead Man
ecological crisis in medieval narratives
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Estoire Des Engleis
Fouke Le Fitz Waryn
Gesta Herewardi
Grendel's Mother
Grendel’s Mother
Hrolf Saga Kraka
human-animal boundaries
Le Roy
Liber Eliensis
liminality in medieval texts
Long Horns
medieval ecocriticism
Medieval Outlaw
nature writing analysis
Outlaw Band
Outlaw Figure
outlaw identity studies
Outlaw Legend
Outlaw Literature
Outlaw Narratives
Outlaw Tradition
Robin Hood
Robin Hood Material
Robin Hood Poems
Unlucky Hunt
Vice Versa
Wild Man
Young Man

Product details

  • ISBN 9781472465504
  • Weight: 566g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Apr 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.

Sarah Harlan-Haughey is Assistant Professor of English and Honors at the University of Maine, USA.

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