Economy, Emotion, and Ethics in Chinese Cinema

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A01=David Leiwei Li
anthropological film analysis
Author_David Leiwei Li
Category=ATF
Category=GTM
Category=KCA
Category=QDTN
Chen Kaige's Yellow Earth
Chen Kaige’s Yellow Earth
Chinese film studies
Contemporary Chinese Cinema
crazy
Dense
East Asian modernity
ecological justice media
english
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Good Life
Homicidal Nature
jia
Jia Zhangke
late capitalism Chinese society
Lu Xun
Main Characters
Neoliberal Homo Economicus
neoliberalism cultural impact
News Reel
Play Back
Qi Qi
red
Red Sorghum
Reflexive Individualization
Reflexive Modernity
Relative Completion
Round Window
Sixth Generation
Social Reproduction
social transformation cinema
sorghum
Superb
Tv's Representation
Tv’s Representation
Wedding Banquet
Wooden Bridge
xun
yimou
zhang
Zhang Yimou
zhangke
zhou
Zhou Xiaowen

Product details

  • ISBN 9781138019317
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centring the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular.

This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches "culture" anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions.

Economy, Emotion, and Ethics in Chinese Cinema will appeal to students and scholars of Chinese cinema, cultural studies, Asian studies, and interdisciplinary studies of politics and culture.

David Leiwei Li is Professor of English and the Collins Professor of the Humanities at the University of Oregon, USA.

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