Edging Women Out

Regular price €192.20
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Gaye Tuchman
Author_Gaye Tuchman
Castle Rackrent
Category=DSA
Category=DSBF
Category=DSK
Category=JBSF1
Category=JHB
charlotte bronte
Circulating Library
Critical Double Standard
cultural gatekeeping
Currer Bell
Dominant Literary Tradition
Edinburgh Review
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Father's Socioeconomic Status
Fiction Manuscripts
gaskell
gender bias in literary professions
gender studies
gendered authorship
Geraldine Jewsbury
Half Profits System
historical literary criticism
John Inglesant
Late Men
Late Women
literary sociology
Macmillan Archives
Male Invasion
Manu Script
Manuscript
Minerva Press
Mudie's Select Library
National Biography
occupational gender segregation
victorian literature
Victorian publishing industry
Women Novelists
Women's Cultural Tradition
Women's Literary Tradition
women's literature
Young Men

Product details

  • ISBN 9780415533249
  • Weight: 690g
  • Dimensions: 156 x 234mm
  • Publication Date: 05 Jun 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Before about 1840, there was little prestige attached to the writing of novels, and most English novelists were women. By the turn of the twentieth century, "men of letters" acclaimed novels as a form of great literature, and most critically successful novelists were men. In the book, sociologist Gaye Tuchman examines how men succeeded in redefining a form of culture and in invading a white-collar occupation previously practiced mostly by women.

Tuchman documents how men gradually supplanted women as novelists once novel-writing was perceived as potentially profitable, in part because of changes in the system of publishing and rewarding authors. Drawing on unusual data ranging from the archives of Macmillan and company (London) to an analysis of the lives and accomplishments of authors listed in the Dictionary of National Biography, she shows that rising literacy and the centralization of the publishing industry in London after 1840 increased literary opportunities and fostered men’s success as novelists. Men redefined the nature of a good novel and applied a double standard in critically evaluating literary works by men and by women. They also received better contracts than women for novels of equivalent quality and sales. They were able to accomplish this, says Tuchman, because they were to a large extent the culture brokers – the publishers, publishers’ readers, and reviewers of an elite art form.

Both a sociological study of occupational gender transformation and a historical study of writing and publishing, this book will be a rich resource for students of the sociology of culture, literary criticism, and women’s studies.

Gaye Tuchman is Professor of Sociology at the University of Connecticut, USA

More from this author