Edinburgh Companion to Alasdair Gray and the Arts

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Alasdair Gray
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forthcoming
Glasgow
murals
Scottish art
Scottish literature
twentieth-century literature
twenty-first-century literature

Product details

  • ISBN 9781399551373
  • Dimensions: 170 x 244mm
  • Publication Date: 31 May 2026
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Hardback
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Alasdair Gray (1934–2019) is widely recognised as a key figure in Scottish literature and culture. His work reached a new audience in 2024 due to the release of the Oscar-nominated adaptation of his novel Poor Things. In the wake of this recent attention, The Edinburgh Companion to Alasdair Gray and the Arts interrogates both Gray’s literary and visual artistic practice as well as, crucially, facilitating conversation between these forms. With chapters on his prefatory spaces, his depictions of women, his complex relationship to empire and his role as a public intellectual, it provides a historicised view of Gray’s output while also introducing fresh critical approaches. The accounts of Gray’s visual art gathered here provide new insights into his collaborative projects, including his work with fellow artists and assistants on large-scale murals like Òran Mór and the Hillhead Subway commission, as well as his mobilisation of exhibitions not only for himself but in support of contemporary and more junior artists. Featuring contributions from prominent authors, academics, artists, politicians and curators, this Companion explores Gray’s political commitments and artistic partnerships to understand how his work has been remade and reincarnated, particularly in transmedial ways.
Marie-Odile Pittin-Hedon is Professor of British Literature at Aix-Marseille Université (AMU). Her research focuses on 20th- and 21st-century Scottish fiction. She is the author of The Space of Fiction: Voices from Scotland in a Post-devolution Age (2015), Alasdair Gray: Marges et Effets de Miroirs (2004) and has contributed a chapter to Alasdair Gray: Ink for Worlds, ed. Camille Manfredi (2014). She is also the editor of Women and Scotland: Literature, Culture, Politics (2020) and, with Camille Manfredi and Scott Hames, of Scottish Writing after the Devolution: Edges of the New (2022). Camille Manfredi is Professor of Scottish literature at the University of Western Brittany. She is the author of Alasdair Gray: le faiseur d’Ecosse (2012) and Nature and Space in Contemporary Scottish Writing and Art (2019), editor of Alasdair Gray: Ink for Worlds (2014), and co-editor, with Marie-Odile Pittin-Hedon and Scott Hames, of Scottish Writing After Devolution: Edges of the New (2022). Kirsten Stirling is Associate Professor of English Literature at the University of Lausanne. Her research interests include modern and contemporary Scottish literature and early modern poetry. She is the author of Bella Caledonia: Woman, Nation, Text (2008), Peter Pan’s Shadows in the Literary Imagination (2012) and Picturing Divinity in John Donne’s Writings (2024) as well as several edited collections.