Education and Dramatic Art

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A01=David Hornbrook
Author_David Hornbrook
Black Paper Writers
Caldwell Cook
Category=ATD
Category=DSG
Category=JNA
Classroom Drama
classroom performance analysis
curriculum development
Disconnected
Disengaged
dorothy
drama curriculum structure
Drama Teachers
Dramatic Art
Dramatic Pedagogy
Dramatic Texts
educational
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Follow
GCSE
General Certificate Of Secondary Education
heathcote
Held
Inclined
Judgement
knowledge acquisition
moral education theory
MSC
multicultural teaching
pedagogy
peter
Post-war
Practical Consciousness
role
Rousseau's Noble Savage
Rousseau’s Noble Savage
school
Seal Wife
Secretary Of State
slade
Strong
Superimposing
teacher
teaching
theatre education
Timeless
Worthwhile

Product details

  • ISBN 9780415168847
  • Weight: 720g
  • Dimensions: 156 x 234mm
  • Publication Date: 04 Dec 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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To this day, Education and Dramatic Art remains the only fully worked critique of drama education in schools. Provocative and iconoclastic, this new edition brings the argument up-to-date and locates the author's proposals for a curriculum based on the making, performing and appraisal of dramas securely in the evolving culture of schools.
The first section of the book traces the origins and fortunes of drama in schools in the context of changing political times and argues that by neglecting the customs and practices of the theatre, drama-in-education has often kept from the students it professes to empower, the very knowledge and understanding necessary for them to take command of their subject.
Part two examines the developmental and pedagogic claims of drama-in-education. Theories of knowledge and meaning and assumptions about schools drama's power to establish a moral and social agenda, are all called to account.
Finally, Education and Dramatic Art proposes a multiculturally-based, theoretical structure for the teaching of drama which pulls the theatre and the classroom together and offers teachers the foundation for a broad and balanced drama curriculum with its own distinctive body of knowledge and skills.

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