Edward Lloyd and His World

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Chartist movement literature
Dickens Imitations
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Gothic fiction publishing practices
Hathi Trust
Impression Cylinders
literary plagiarism studies
Lloyd's Newspaper
Lloyd's Penny
Lloyd's Weekly
Lloyd's Weekly Newspaper
Lloyd’s Newspaper
Lloyd’s Penny
Lloyd’s Weekly
Lloyd’s Weekly Newspaper
mass-market publishing history
Master Humphrey's Clock
Master Humphrey’s Clock
nineteenth-century journalism
Parish Boy's Progress
Parish Boy’s Progress
Pavilion Theatre
Penny Bloods
Penny Dreadful
Penny Dreadfuls
penny dreadfuls analysis
Penny Fiction
Penny Sunday Times
Plaster Of Paris
Reynolds's Newspaper
Reynolds's Weekly Newspaper
Reynolds’s Newspaper
Reynolds’s Weekly Newspaper
Salisbury Square
Susan Hopley
Thomas Frost
Victorian print culture
Working Class Readers
Young Man

Product details

  • ISBN 9781032241227
  • Weight: 353g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The publisher Edward Lloyd (1815-1890) helped shape Victorian popular culture in ways that have left a legacy that lasts right up to today. He was a major pioneer of both popular fiction and journalism but has never received extended scholarly investigation until now. Lloyd shaped the modern popular press: Lloyd's Weekly Newspaper became the first paper to sell over a million copies. Along with publishing songs and broadsides, Lloyd dominated the fiction market in the early Victorian period issuing Gothic stories such as Varney the Vampire (1845-7) and other 'penny dreadfuls', which became bestsellers. Lloyd's publications introduced the enduring figure of Sweeney Todd whilst his authors penned plagiarisms of Dickens's novels, such as Oliver Twiss (1838-9). Many readers in the early Victorian period may have been as likely to have encountered the author of Pickwick in a Lloyd-published plagiarism as in the pages of the original author.

This book makes us rethink the early reception of Dickens. In this interdisciplinary collection, leading scholars explore the world of Edward Lloyd and his stable of writers, such as Thomas Peckett Prest and James Malcolm Rymer. The Lloyd brand shaped popular taste in the age of Dickens and the Chartists. Edward Lloyd and his World fills a major gap in the histories of popular fiction and journalism, whilst developing links with Victorian politics, theatre and music.

Sarah Louise Lill was awarded her PhD from Northumbria University in 2015 for a thesis entitled ‘"The Father of the Cheap Press": Edward Lloyd and the Mass-Market Periodical, 1830-1855’. She now divides her time between conducting research in the field of Victorian periodicals and working as the Marketing and Communications Officer for CAPA College, Wakefield. She has contributed an entry on Edward Lloyd to the Companion to Victorian Popular Fiction, edited by Kevin Morrison (McFarland, 2018).

Rohan McWilliam is Professor of Modern British History at Anglia Ruskin University and a former president of the British Association for Victorian Studies. He is the author of The Tichborne Claimant: A Victorian Sensation (2007) and has co-edited (with Kelly Boyd) The Victorian Studies Reader (2007) and (with Jonathan Davis) Labour and the Left in the 1980s (2017). He has written articles about Victorian melodrama, G.W.M. Reynolds, Elsa Lanchester and Jonathan Miller.