Egyptian Male Film Stars in the Nasser Era

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1950
20th century
A01=Samar Abdel-Rahman
action
actors
Art
Author_Samar Abdel-Rahman
Category=ATC
Category=ATFA
Category=NHG
cinema
civic
comedy
Egypt
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
farid shawqi
gender
History
ismail yassin
masculine
Media
melodrama
Middle East
modern
Motion
north africa
officers' coup
omar sharif
Perform
pictures
Political
post-colonial
regime
socialist

Product details

  • ISBN 9781649034496
  • Dimensions: 152 x 229mm
  • Publication Date: 07 Apr 2026
  • Publisher: American University in Cairo Press
  • Publication City/Country: US
  • Product Form: Hardback
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An exploration of male stardom in Egyptian cinema produced during the rule of Gamal Abdel Nasser

Following the Free Officers’ coup of July 1952, the new regime under Gamal Abdel Nasser sought to construct a new Egyptian civic identity, commensurate with the officers’ nationalist, anti-imperialist, and socialist vision for the country. The 1950s was consequently a pivotal decade for Egypt, politically, socially, and economically—and for Egyptian cinema—which saw the emergence of a new generation of popular film stars.

Rooted in cultural and film studies, Egyptian Male Film Stars in the Nasser Era explores male stardom in Egyptian cinema produced during this period, through the lives and careers of three key stars: Omar Sharif, Ismail Yassin, and Farid Shawqi. In attempting to find a balance between the traditional and the modern, the Nasser era placed an emphasis on education, work, and gender equality. Yet, faithfulness to Egyptian traditions and values remained a key part of the state’s vision of collective identity. Samar Abdel-Rahman illuminates how these stars promoted a civic identity that aligned with the regime’s ambitions, and how each of them—through melodrama, comedy, and action—negotiated a different facet of masculine identity that spoke to the ambivalent constructions of hegemonic masculinity during this critical post-colonial period.

Samar Abdel-Rahman is lecturer in world cinema at the University of Liverpool. She holds a PhD in Film Studies from King's College London. Her research interests lie at the intersection of Middle East and North African cinema, gender, and socio-political history and culture.

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