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Product details
- ISBN 9781859840894
- Weight: 536g
- Dimensions: 152 x 236mm
- Publication Date: 17 Apr 1996
- Publisher: Verso Books
- Publication City/Country: GB
- Product Form: Paperback
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The seventeenth century saw the brief flowering of tragic drama in western Europe as a whole and in England in particular. It was, argues Victor Kiernan, the artistic expression of the consciousness of change which permeated every aspect of life during this period.
In this companion volume to Shakespeare: Poet and Citizen Kiernan sets out to rescue Shakespearean studies from the increasingly solipsistic terrain of literary criticism, focusing instead on historical location as a means to understanding Shakespeare's writing. Kiernan contends that the deep and accelerating changes in economy and society, brought about by the development of modern capitalism, drew the underlying tragic tensions of the History plays to the forefront.
Other writers were feeling similar influences and across Western Europe, especially in France and Spain, tragic drama became a popular form. Kiernan shows how England's supremacy in this genre was both a mirror and a result of the profound nature of its social and economic development and the uncertainty and anxiety which it created.
Opening with a sketch of the progress of the theatre, Kiernan goes on to provide a portrait of Shakespeare as a professional. He then considers each of the eight tragedies from Julius Caesar to Coriolanus, drawing out their contrasts and recurring themes. In a final section he analyses the group as a whole and explores attitudes to the monarchy, political life, war, religion and philosophy and the relationship between the sexes.
In this companion volume to Shakespeare: Poet and Citizen Kiernan sets out to rescue Shakespearean studies from the increasingly solipsistic terrain of literary criticism, focusing instead on historical location as a means to understanding Shakespeare's writing. Kiernan contends that the deep and accelerating changes in economy and society, brought about by the development of modern capitalism, drew the underlying tragic tensions of the History plays to the forefront.
Other writers were feeling similar influences and across Western Europe, especially in France and Spain, tragic drama became a popular form. Kiernan shows how England's supremacy in this genre was both a mirror and a result of the profound nature of its social and economic development and the uncertainty and anxiety which it created.
Opening with a sketch of the progress of the theatre, Kiernan goes on to provide a portrait of Shakespeare as a professional. He then considers each of the eight tragedies from Julius Caesar to Coriolanus, drawing out their contrasts and recurring themes. In a final section he analyses the group as a whole and explores attitudes to the monarchy, political life, war, religion and philosophy and the relationship between the sexes.
V.G. Kiernan is, as Edward Said observed, 'that great Scottish historian of empire'. A prolific writer, he has published work in areas ranging from Indian history to Marxist politics to Shakespeare. He lives in Edinburgh.
A Fellow of the British Academy and the American Academy of Arts and Sciences, Eric Hobsbawm is the author of more than twenty books of history, including The Age of Revolution and The Age of Extremes. He lives in London.
A Fellow of the British Academy and the American Academy of Arts and Sciences, Eric Hobsbawm is the author of more than twenty books of history, including The Age of Revolution and The Age of Extremes. He lives in London.
